Saturday, October 25, 2003


Well, we have survived--though there are a lot more challenges ahead, I think we just passed the greatest hurdle by getting through yesterday.

The runs were both very solid, but I spent more energy than I should have on the first one, which made it hard to deliver completely in the evening...and since the evening was when there was 300+ people on hand, it becomes very important to deliver then.

Also, I haven't got my arms around the space yet. Bart has mentioned that the space has a warmth which can beguile, and I believe him--strangely, the performer feels like he is more connected to the audience than the audience does back to the performer, which can create a false sense of security from the stage. It's almost hemispherical, this space, which means you have to carry thoughts and actions out into arcs that address sweeps of the audience, rather than planting and sending moments in specific directions. Last night involved a lot of discoveries like that, but the lovely preview audience was a perfect resonator and partner for figuring out the lay of the land.

After the shows we did PUSH, which was a lot of fun...UP IN YOUR GRILL rode again, and we chose to do a sketche from memory that hadn't been performed in 4 years, and the weird thing is how well it *did* go, or that we were able to do anything at all. I'd say we were definitely there for the fun, since a lot of the other acts were actually very sharp and on their game--there was a big assortment of talent on hand, and it made me really glad that the festival has continued to live under Val's leadership.

Speaking of Val, she picks me up in a few minutes for a SketchFest forum, after which we have an afternoon of lighting and technical changes, followed by tonight's second preview. I have to admit, this is pretty seductive--if every regional theater were as cool as the Intiman, I might have problems returning to my garage theater origins. They are so damn competent, and there is a mastery of craft that makes it a pleasure to create there--everything is aimed toward the clarification of the show, and while JM has a very difficult job I think she's getting some world-class support from these folks. We're in a good place.